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21 novembre 2012 par tadam | Saisissez votre mot de passe pour accéder aux commentaires.

Cet article est protégé par mot de passe. Pour le lire, veuillez saisir votre mot de passe ci-dessous :

Protégé : zapingfun

21 novembre 2012 par tadam | Saisissez votre mot de passe pour accéder aux commentaires.

Cet article est protégé par mot de passe. Pour le lire, veuillez saisir votre mot de passe ci-dessous :

18 octobre 2012
par tadam
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Specialization is for insects

 

« A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, and die gallantly. Specialization is for insects.Robert A. Heinlein from The Notebook of Lazarus Long »

via adthpp.

11 octobre 2012
par tadam
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Hera, Ancient Greek Goddess of Married Women and Queen of Heaven

Basic Information about Hera   –Hera, Queen of Heaven Hera (Ήρα) is goddess of women and marriage, and queen of the heaven. Her name may be a feminine version of Eros (Ἔρος). A better meaning may be ‘the earth allotted’ from Indo-European ‘er-’, ‘Earth’ and ‘ai-1′, ‘To give, allot’. This would bring Hera in line with Rhea and Gaea. In the Theogony of Hesiod he speaks of a separation of earth and sky and then a sexual union of the two. The result is Cronus and Rhea who then produce Zeus and Hera. All the male deities are sky gods and the females are earth goddesses. Gaea is the mother earth while Rhea is the mother of the gods. Hera is the goddess of motherhood. These three goddess have similar realms as though one was developed from the other. Every goddess has a realm or domain over which she rules and Hera’s realm is the domains of marriage and majesty. She is the wife of Zeus and quite active in the Iliad. In the ancient Greek myths she seemed jealous of Zeus and his power and often seemed to be getting back at people. Though there is meaning to these stories care must be taken attributing such things to Hera. Jealousy is not a suitable attribute of a goddess and it would be best not to interpret Hera’s acts in this way. The fact is that as a goddess she has access to all knowing and would have no reason to be jealous. As an immortal she has little reason to fear anything. She is free to move through space and she knew the future before it happened. But her seeming jealousy and rocky relation with Zeus made her seem fallible and this made her more endearing to her worshippers. She seemed much more accessible than the perfect Athena, Artemis, or Aphrodite. Another aspect of this jealousy is that it might be interpreted as a characteristic of married women in general in the ancient Greek times. Since it was a fact of domestic life it may have been logical to attribute it to Hera. In fact the Iliad of Homer Demonstrates the extremes of marital bliss which varies from the following extreme treatment of Hera by Zeus, (15.17) « Verily I know not but thou shalt yet be the first to reap the fruits of thy wretched ill-contriving, and I shall scourge thee with stripes. Dost thou not remember when thou wast hung from on high, and from thy feet I suspended two anvils, and about thy wrists cast [20] a band of gold that might not be broken? And in the air amid the clouds thou didst hang, and the gods had indignation throughout high Olympus; howbeit they availed not to draw nigh and loose thee. » to (14.347) « Therewith the son of Cronos clasped his wife in his arms, and beneath them the divine earth made fresh-sprung grass to grow, and dewy lotus, and crocus, and hyacinth, thick and soft, that upbare them from the ground. [350] Therein lay the twain, and were clothed about with a cloud, fair and golden, wherefrom fell drops of glistering dew. » viaHera, Ancient Greek Goddess of Married Women and Queen of Heaven.

21 septembre 2012
par tadam
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ORCID

 

The Open Researcher and Contributor ID project is a not-for-profit organisation that aims to provide “a registry of persistent unique identifiers for researchers and scholars and automated linkages to research objects such as publications, grants, and patents“.

It’s a fairly new venture but has been in incubation for some time. Over the last few years there has been lots of interest in having a shared open identifier for helping link together research literature and ORCID is one of the key projects that has crystallised out of those activities. It’s in the process of moving towards a production system. So, whereas MusicBrainz predates the legislation.gov.uk work, the ORCID system is not yet fully launched.

Lets look at its model:

Assets: the primary asset is the database of researcher and contributor identifiers; the project software will also all be open source

Contributors: anyone will be able to use the website tools to create and manage their contributor identifier; there will also be ways for the project members to contribute directly to maintaining the data, e.g. to add new publication links. As noted in the principles, contributors will own their own data and profiles.

Consumers: broadly anyone can participate, but the expectation is that it will be of most value to individual researchers, publishers, and funding agencies

Financial Model: the ability to contribute data and use some of the basic data maintenance tools will be free. However additional services will only be available to paying members. This includes getting more timely access to updated data; notifications of data changes; etc. The project has been bootstrapped with support of a number of initial sponsors.

Licensing: the core database will be released on an annual basis under a CC0 license, placing it into the public domain.

Incentives: the broad incentive for all participants is to help bind together the research literature in a better way than is currently possible. Linking research to authors requires participants from across the whole publishing community, including the authors themselves. Using an open collaboration model ensures that the everyone can engage with a minimum of cost. The publishers, who perhaps stand to gain most, will be bringing sustainability. The membership model has already proven to work in publishing with CrossRef which is similarly structured.

ORCID is an interesting variation when contrasted with the legislation.gov.uk approach. Many aspects are similar: it is industry focused and is solving a known problem. The major financial contributions will come from commercial organisations.

There are also several differences. Firstly the collaboration model is different; its not just commercial organisations that can contribute to the basic maintenance of the data: researchers can manage their own profiles.

Secondly, the data licensing model is different. While legislation.gov.uk offers data under the OGL with free APIs, ORCID places data into the public domain but only plans to update data dumps annually. More frequent access to data requires use of the APIs which is are member services. This difference is clearly useful as a lever to encourage commercial organisations to sign-up, this will directly contribute to the sustainability of the overall project.

via Lost Boy.

1 juin 2012
par Plus Public Activity Feed for ad thierry
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This isn’t about sharing pictures. This is about sharing your vision. http://www.robinsloan.com/n…

This isn’t about sharing pictures. This is about sharing your vision.

http://www.robinsloan.com/note/pictures-and-vision/index.html

Pictures and vision
Pictures and vision. — Late May 2012, Bolinas. Okay, I'm going to argue that the futures of Facebook and Google are pretty much totally embedded in these two images: The first one you know. What y...